1905 movie network news　Recently, the TV series "Shake the Five Continents" held a press conference in Beijing. Director Yang Wenjun, the original author of the world returns to the yuan, and the screenwriter Xie Yanyan, Yang Mi, Ruan Jingtian and other main actors all appeared. After three months of shooting, all the teams of "Shake the Shake" shared the stage for the first time under much expectation, uncovering the mystery of this quality drama for everyone.

On the same day, "Fu Yao" screenwriter Xie Yanyan and the original author Tian Guiyuan, as the first to appear as the main creative members, introduced the main content and character relationship of the play to everyone. Screenwriter Xie Yanyan confessed that she likes the role of Meng Fuyao very much. She believes that Yang Mi’s exquisite appearance and progressive acting skills are very suitable for Meng Fuyao, a character who has gone through countless hard struggles and finally rose to the top, and affectionately calls him "Chivalrous Shake". Although the male and female protagonists Fu Yao and Wuji are ancient characters, they also have the characteristics of modern people, both chivalrous and handsome. There are also gripping wits and delicate and affectionate scenes in the play, which will be very interesting.

　

　　 　　

As early as the boot, Xie Yanyan wrote a comment: "Don’t ask about the way back, the blood is hard to cool, although tens of thousands of people, the image of Fuyao’s bravery and independence is ready to come out. At the same time, she revealed that there are many wonderful scenes in the film, and every play has poured a lot of effort from the actors and creators, striving to create a very powerful picture, and the final effect is very worth looking forward to.

Phenomenal female protagonist Yang Mi collaborated with Golden Horse Actor Ruan Jingtian for the first time this time. The high-value and powerful combination recognized by both inside and outside the industry has made "Fu Yao" a high-profile "hit". Xie Yanyan expressed that she is honored to participate in the screenwriting of the TV series "Fu Yao". In the treatment of this script, she strives to add a lot of dramatic highlights on the basis of restoring the original work. Not only are the characters very three-dimensional and distinct, but the bonds and emotional entanglements between the characters are also a big point of interest. Previously, Xie Yanyan also participated in the screenwriting of "Huaxu Introduction" and other TV works that are deeply loved by the audience. This adaptation of "Fu Yao" is also a theme she is good at. What kind of spark can burst out in the cooperation with the behind-the-scenes team makes the audience look

Nowadays, although new energy vehicles have gradually gained a foothold in the market, the battery life problem is still a pain point in the industry, and it has frequently been on the hot search. Take Avita 11, which has recently attracted much attention in the market. It is backed by the three giants of Changan Automobile, Huawei, and Ningde Times. It is a leader in power batteries in the industry. Recently, it has caused a heated debate because it is not equipped with a Kirin battery. Why didn’t Avita 11 use the latest Kirin battery released by Ningde Times? Is Ningde Times turning its elbows out? Let’s see this article for decomposition!

The Ningde era is the most expensive hardware power battery manufacturer in new energy vehicles and is in charge of the lifeblood of new energy vehicles. In the new energy vehicle market, any brand that has the concept of the Ningde era is famous. What’s more, there are Huawei and Changan Automobile as endorsements, so Avita 11 has attracted much attention since its debut. Avita 11 is equipped with a long-life model battery with CTP2.0 technology, which has added many new technologies to improve performance, so its technical strength should not be underestimated.

The latest Kirin battery from Ningde Times did not appear on the Avita 11 for three reasons. The first is that the "time point is different". The Kirin battery will not be delivered until next year, while Avita will be delivered soon. Neither can the Kirin battery "cross" come, nor can Avita 11 delay delivery, so there will be "time difference" at the time point. The second is the integration of the battery and the whole vehicle. "Unlike the business model of selling batteries as standard parts, the battery packs used by Avita are customized by Ningde Times and need to be highly integrated with the whole vehicle." Third, the Avita 11 is equipped with CTP2.0 batteries and the Kirin battery are of the same origin, which are technically the same, and represent the highest level of the current industry.

At present, Avita 11 is fully equipped with this battery pack, and has two different capacity battery packs of 90kW · h and 116kW · h. The system energy density is 180 Wh/kg and 190 Wh/kg respectively, and the range can reach up to 680km, representing the highest level of mass-produced battery packs in the industry. At the same time, the battery pack supports up to 750V high-voltage fast charging, and the replenishment speed is rapid. It is the most solid energy cornerstone for Avita 11 to solve "battery life anxiety".

The previous article mentioned that the unicorn battery is a product of the future, and the technology in the future will definitely be more advanced than it is now, but is the "product of the future" really suitable for the present? As important as the development of batteries is the development of charging technology and networks, so from this point of view, the CTP2.0 ternary lithium battery is the best partner tailored for Avita 11!

Based on the tripartite cooperation between Changan Automobile, Huawei and Ningde Times, Avita’s car-making model has also been known as the "CHN" national team cooperation. Avita 11 is the brand’s first model, and all three parties have also expressed that they will spare no effort to allocate the best resources. It seems that the CTP2.0 ternary lithium battery at the top of the current technology chain is already the best choice for Avita 11, because only the right one is the best. Of course, Tan Benhong also admitted that "when the time is ripe, the technology and innovation of Kirin battery will definitely be used in Avita, but it will not be a simple standardized product."

　　I believe that everyone has played the games on Steam. The games on Steam are famous for their beautiful graphics and high-quality ratings. Can we play many beautiful games on it? Let’s talk about what are the more durable games on Steam.

　　Ark: Survival Evolved

　　This game has been out for a very long time, but because of this, we can see that this is a very durable game, and there are still people playing there. In addition, last year, Steam gave it away to players for free, which led to more players in the Ark, and the number of people online in the Ark is on the steam online list. The Ark is mainly about a survival game. We wake up on a mysterious island and need to search for supplies, then plant, and investigate to obtain supplies. Moreover, we must be lower than the survivors, who are played by other players. They will come to seize our supplies, which is very exciting.

　　Civilization 6

　　This game is also very good. This game is a very realistic simulation of a war. For example, in one night, other games can be played many times, while Civilization 6 is only enough for you to fight a battle. If you want to create your own civilization in this game, you need to fight a lot of battles. Therefore, this game is also very durable.

　　III. Elden Circle

　　The overall world of the game is very complex, and we can explore these worlds freely. There are many menus and surprises that can catch us off guard. In addition, the map of this game is also very large, allowing us to explore for a long time. We can even play with our own friends, which is very interesting.

　　Uncharted 4: A Thief’s End

　　This game mainly tells the story of a treasure hunter’s return to the old business. We want to experience a very exciting plot here, and there are also very special adventure invitations. Through this treasure hunt, we can find the long-lost treasure. We will travel around the entire map, which can also be said to be a very long time to play.

　　Fifth, goose and duck killing

　　This game is also a popular game recently. We can play a lot of unique roles during this period, and then use our own cover to achieve a purpose of inventory. The overall gameplay of the game is also very interesting. We can play it online with our friends.

　　Apex Heroes

　　This is a hero design game where we can use our skills to do various things. The gameplay is very innovative and worth a try. Also, the gameplay of this game is very good.

　　　 Co-starring Kwok Fu-cheng, Leung Ka-fai, Li Zhiting, Peng Yu-yan and others, the best Hong Kong police and bandit masterpiece in the past decade will be released globally on November 8. Peng Yu-yan, who has starred in many hit film and television dramas, changed the image of "Sunny Man" in this "Cold War" and showed people with a handsome police pose, which made many audiences’ eyes shine. Peng Yu-yan himself admitted that "Cold War" made him too addicted to drama. "I have loved watching police and gangster movies since I was a child, so I am very excited to wear EU (stormtrooper) clothes, and it is easier to get into the role when I act." Speaking of "Dad" Leung Ka Hui in the film, Peng Yuyan said: "Brother Ka Hui has always been an actor that I admire very much and is a role model in my life. He taught me a lot of acting things and gave me very good advice."

Sunny Boy Premieres Hong Kong Police

　　　 In 2012, Peng Yuyan entered his thirties. In the past ten years of his debut, he has achieved good results in movies and television, and he has also been constantly trying and challenging various roles. In "Cold War", Peng Yuyan revealed that this is his first time playing a police officer. He introduced: "On the surface, I am just a small police officer, but in fact I am an excellent graduate of the police academy who was born in a famous police family and has an IQ of 192. My father is also a high-ranking deputy commissioner of police." Peng Yuyan said that this is the first time he and Liang Jiahui play father and son. The relationship between the two in the film is not harmonious. "He is an iron-fisted officer who pays attention to discipline and obedience, very strict, and I am more rebellious and do not listen to him, so we have a lot of conflicts and contradictions."

　　　 In addition, referring to the cooperation with Guo Fucheng and Liang Jiahui, Peng Yuyan admitted that he has benefited a lot. "They will share their experience with you, which is a kind of happiness for our young actors." He also said: "These excellent actors are not only excellent in acting, but also I have seen their passion for acting, constantly challenging themselves and asking themselves to do better. When I get along with everyone, they make me feel that being an actor requires not only good acting, but also learning how to be human. I can learn a lot from them, and I hope I can be like them one day."

Hope to do a sequel to "Chills" again

　　　 "The first time I met the two directors was in Hong Kong. Director Lu showed me the sixth draft of the script. He said he wanted me to play the role of Li Jiajun, and I was very surprised at that time. But after reading the script, I said yes, I really want to join." Peng Yuyan admitted that the reason why he agreed to act immediately at that time was because the script was really good and the role was not the same as before.

　　　 "The two directors are great. Whenever you call them, they patiently tell you about the script and the characters. Because they wrote the script themselves, they know each character very well, and he can go back and forth with you, which is great," Mr. Peng said of the collaboration with the two directors. Peng Yuyan also said that if there is a sequel to "Cold War", I hope I can still play.

I want to try diverse roles in the future

　　　 In 2011, Peng Yuyan made his movie"Roll over! Ashin"Nominated for Best Actor at Taiwan’s Golden Horse Awards, although he lost to Andy Lau in the end, he believes that this film has given him a chance to turn around. Regarding the award, Peng Yuyan said that he treats it with a normal heart and does not give himself too much pressure. "Winning an award is a rare thing. Instead of thinking about how to win an award every day, it is better to act well and do a good job in front of you."

　　　 As for his future career plans, Peng Yuyan admits that he will not set limits on himself. Whether it is a movie or a TV series, as long as he likes the script and characters, he is willing to try. He said: "There may be more movies, because the characters of the movie have more breakthroughs and challenges, and they also need more time to prepare. This preparation process is my favorite, because I can uncover the side that I don’t know. So I hope I can try more diverse roles and show every side of myself to the audience."

1905 movie network news On July 13, director Jiang Wen’s new work "Evil Does Not Suppress Justice", co-directed by Jiang Wen, Peng Yuyan, Liao Fan, Zhou Yun and Xu Qing, officially landed in more than 500 IMAX theaters across the country. On July 14, IMAX held a media viewing conference in Beijing. This film, which Ning Hao rated as "special Jiang Wen", made the audience addicted with its ups and downs of suspense plot and intensive and intense action scenes. Under the help of the crystal clear image quality of the IMAX cinema screen and the realistic and shocking sound system, the audience seemed to be immersed in a romantic and suspenseful revenge story of the Republic of China, and deeply appreciated the long-lost youth and rivers and lakes of director Jiang Wen.

IMAX freehand presents "Jiang Wen-style good play", and the media comments on the film "spicy and powerful"

Adapted from Zhang Beihai’s novel "The Hidden Man," the final chapter of Jiang Wen’s trilogy of the Republic of China takes place in Beijing, under the rule of the Beiyang government, and tells the story of Li Tianran, played by Peng Yuyan, avenging his teachers. With a good and evil storyline, intensive fighting with knives and guns, sharp and fast editing, ubiquitous jokes, and romantic and melodious Western soundtrack, a "very Jiang Wen" -style drama has conquered the media and film critics, and won a burst of reputation. The film critics Mission Impossible praised the film as "a pot of spirits labeled by Jiang Wen, happy with enmity, spicy and powerful, and the violent aesthetic wantonly in the ice and snow of Beiping, flying on the top of the roof."

"Evil does not suppress good" is Jiang Wen’s sixth film, and it is also his second collaboration with IMAX. Director Jiang Wen specially created Beiping of the Republic of China, which is particularly eye-catching on the IMAX high definition bright big screen. With a clear and realistic picture texture and a penetrating sound system, the audience is fully immersed in the imaginative world. When Li Tianran flew on the roof, the audience seemed to follow him on the roof, sometimes with swords and shadows, flying on the wall, sometimes generously singing and happy enmity. After the screening, the media all lamented that the film was "burning, cool, happy and full of energy". Some media feedback said that "the IMAX big screen makes you see the easter eggs of Jiang Wen’s movies full of imagination everywhere". Some people even said that "after reading it, it is still unfinished, and it is worth enjoying it again and again. I am ready to brush the IMAX version again in the near future."

IMAX delicately reshapes the scenery of Beiping in the Republic of China, Jia Zhangke praises "fascinating"

On the IMAX big screen, the audience was deeply impressed by the Peiping of the Republic of China, which was infused with Jiang Wen’s romantic feelings. Even director Jia Zhangke could not help but praise it after the screening: "The old Peiping under the lens of director Jiang Wen is fascinating, and the Peiping without traffic jams and heavy snow in the movie is really beautiful. The whole movie is a rooftop poem, strong and affectionate." The Beijing city in the film is like a character hidden in the dark, quietly emitting the atmosphere of the times and the unique charm: the iconic bell tower, city walls, alleys, bricks and tiles will restore the original style of the old Beijing of the Republic of China, and the beautiful overlook perspective is presented under the IMAX large screen and delicate image quality, making the audience seem to have traveled through time and space and entered the former Beiping.

The luxury lineup gathers on the IMAX big screen, and the stars work together to interpret the chaotic times in Peiping

Jiang Wen, Peng Yuyan, Liao Fan, Zhou Yun, and Xu Qing, several powerful actors of different styles, are also highly anticipated by the audience this time. The big screen that extends from the floor to the ceiling of the IMAX theater is not only wider but also higher and more curved, making the audience feel that sitting in any position can feel as if several movie stars are in front of the sharp confrontation. According to media reports, Peng Yuyan has once again become a fan on the IMAX big screen with his breakthrough acting skills, appropriately matching Li Tianran’s unique enthusiasm and youthful feeling in his early twenties; Liao Fan’s villain Zhu Qianlong is also impressive, with a simple and rough two-cropped beard, sparse eyebrows, and blue veins bursting on his forehead.

Zhou Yun and Xu Qing’s perfect interpretation of the two important female characters in the film makes it impossible to look away from the IMAX big screen. Zhou Yun’s frown and smile vividly and vividly interpret Guan Qiaohong, a woman with a complex heart who hides the sewing workshop; Xu Qing incarnates as an "angel devil" to play Tang Fengyi, a beautiful courtesan among the dormant and powerful, with a smiling pear vortex, a graceful figure wrapped in a cheongsam, and an innocent expression pretending to be coquettish. The fish and dragons are mixed with many parties to wrestle, and the interests of power and hatred are crisscrossed. The IMAX big screen will present their most graceful figure and the most delicate performance with its excellent texture.

The IMAX version is transformed by IMAX DMR ? (Digital Reproduction Technology) to provide audiences with unparalleled audio-visual quality that meets the ? standards of the IMAX viewing experience. Crystal-clear images, combined with tailor-made IMAX theater design, and a powerful digital sound system also create a unique environment for moviegoers to truly feel the "immersive" viewing experience.

1905 movie network news After three years of polishing and upgrading, the "embroidered spring knife" is back! What it brings back is not only to continue the strong reputation of the first film (so far, Douban has a rating of 7.6), but also to inject fresh energy into traditional costume action movies. The combination of cultural, opera and martial arts explodes, all the cast performances are online, the service is exquisite and meticulous, the story is calm, and the style is romantic, all of which make this latest work in this series a "candidate of the year" for many audiences. The director Lu Yang’s carefully arranged "parallel time and space" narrative system makes it possible for the film to open a new "embroidered spring knife film universe". The details, connections, tributes, and easter eggs that abound in those films make fans enjoy it, trying to open the two-brush three-brush mode. This article attempts to disassemble all aspects of "Embroidery Spring Sword · Asura Battlefield" and see how Lu Yang constructs an original IP reload.

　

(Note: This article contains minor spoilers. Reading is risky, and there is no need to be cautious when purchasing tickets.)

　

Detailed interpretation: over 4000 shots cut to fly, do not cut the drawbridge Yang Mi "return" romantic bug full solution

To really understand the details of "Embroidery Chun Dao Shura Battlefield", it is necessary to have a wave of data flow first: 4 new versions of the film story were written, and 2 versions of the script were written. Director Lu Yang spent 50 days working with the cinematographer and action director to produce a set of sub-shot scripts. The script is 236 pages, with a total of 139 scenes and 2,500 shots. About 30 shots are completed every day, and at most more than 100 shots are completed in one day. The total number of costumes that appear in the film is 268 sets. There are 12 types of weapons in the film, and there are 10 types in the cast. More than 4,000 people are used in the group. In the last suspension bridge scene, the entire suspension bridge was actually built, weighing 9 tons. It took more than 100 people a month and a half and cost more than 400,000 yuan. The number of shots cut into films exceeds 4,000, and for comparison: the number of shots in the whole film is 3,410. This is also one of the proof that the series is called the Ming Dynasty version of "Bourne Shadows".

　

In addition to the fast-paced style hailed by fans as "crazy cutting", the persistence of "Embroidery Spring Sword Shura Battlefield" in handheld photography is in the same vein as the series. According to Lu Yang’s director, more than 70% of the shots in the whole film are handheld photography! Some viewers commented: "Lu Yang’s mirror movement photography and action design have become their own school, making people put themselves in the martial arts. A large number of moving long mirrors and handheld photography follow the footsteps, so that the knife skills can be quickly and neatly." Speaking of his love for handheld photography, Lu Yang said in an interview: "I like handheld photography, it is very close and real, and the breathing lens makes the picture more agile."

　

It is precisely because of the quick-cut lens style and handheld photography texture that Director Lu Yang insists that the film will never be made in 3D, and will be released in full 2D format, ensuring the best look and feel for the audience.

　

The setting of Shen Lian’s (Zhang Zhen) black cat "one corner" also made many audiences feel warm, and they praised Shen Lian for joining the army of "stroking cats". Especially the re-appearance of the black cat at the end of the film, which is safe and sound, is even more reassuring to cat lovers. For such a special role, director Lu Yang said: "It is to make Shen Lian no longer lonely." It is worth mentioning that the cat in the film is played by two cats. "Dahei acted a few times and got lost. Later scenes were shot by Erhei," Lu Yang revealed. At present, the cat named Erhei has become the mascot of Lu Yang’s director Free Cool Whale Film. By the way, as for the scene where the black cat was shot by the gun, the cat-loving director Lu Yang naturally would not let Erhei go into battle in person, but used the computer special effects completely.

　

The painting of Beizhai in the film has also become an entry point for fans to interpret the film. Especially the painting of the black rooster pecking the grasshopper, which highlights the characters of Shen Lian, Beizhai, and even Wei Zhongxian. Some viewers interpreted the black rooster as Wei Zhongxian, and the grasshopper as Shen Lian. Some people think that the setting of the chicken and the grasshopper alludes to Wei Zhongxian’s identity characteristics (the sound of the grasshopper is like "father-in-law"), so the painting of Beizhai became contraband at that time. Director Lu Yang also has his own interpretation of the setting of this painting: "In fact, what Shen Lian saw was the grasshopper in front of the black rooster, the grasshopper fighting the rooster. Shen Lian felt a little empathy, facing a weak image of a powerful force, but still fighting. He felt that the painting was something that didn’t exist in his world. It was something that had a lot of vitality and grew naturally. It wasn’t a world where everyone would struggle under their rules.

　

In addition to a large number of details, the setting of several scenes at the end of the film has also become the focus of heated discussion among the audience. In particular, before the end of the film, the Bug question of "why the escape team did not cross the suspension bridge and then cut the bridge to escape", has not been interrupted since the film was released. After the film was released, a large number of netizens consulted Director Lu Yang on this issue on Weibo. In fact, as early as the day of the premiere, Director Lu Yang had already explained this setting: "The scene where we built the bridge weighed 9 tons, but in fact it would only be heavier. We also saw that Shen Lian still cut the bridge in the end, but it took time. With the pursuit of troops in the back and the interception in the front, Shen Lian needed plenty of time to complete the cutting work. In the end, when he cuts the bridge, he can only succeed if the three masters Lu Wenzhao (Zhang Yi), Pei Lun (Lei Jiayin), and Ding Baiying (Xin Zhilei) work together to cover it. "In addition to the director’s interpretation, a large number of female audiences romantically believed:" Everything Shen Lian does is to buy time for the woman he loves. This is not a bug, this is love! "

　

Why did Hokusai (Yang Mi) come back? Many viewers would have this kind of confusion when they saw the end: "So many people sacrificed for you, just to let you run for your life, why did you come back to cause trouble?" Regarding the question of this plot setting, the star Zhang Zhen also posted a romantic response: "Shen Lian always does more and says less, but Beizhai (Yang Mi) understands everything, so in the end the suspension bridge ran away or came back again for Shen Lian." And director Lu Yang thought: "If someone sacrificed their life for me, I will return after I run away, even if it doesn’t help."

　

At the end of the film, why didn’t Chongzhen (Liu Duanduan) kill Shen Lian? "He eradicated everything in order to become king, from Wei Zhongxian to Lu Wenzhao and other henchmen, and even the beloved woman Beizhai, why did he let Shen Lian go?" After the film was released, this ending design also caused fans to debate. According to Liu Duanduan, who plays Chongzhen in the film: "I also asked this question when I talked to director Lu Yang about the script. The director’s answer was that he had promised Beizhai to eliminate the emasculation. At the last moment, Jun Wu joked that he wanted the world and Beizhai to see that he had kept this promise." To this, director Lu Yang also gave his own response: "Chongzhen wants to be a good emperor. At this time, the throne has been stabilized, and he knows that Shen Lian is a person who really has perseverance and faith. Shen Lian’s actions are worthy of letting him live, and Chongzhen doesn’t want to kill such a person. "In fact, recalling the image of Chongzhen in the first" Embroidery Spring Sword ", this character also said:" Hundreds of people have been killed, and you want me to be unusable?! "This design not only makes the characters more plump, but also completes the linkage between the two films.

　

Parallel time and space related articles: Ding Xiu appears in the whole series, seamlessly linking the third part of the conjecture classic character hope to return

Regarding the connection between the first installment of "Embroidery Spring Blade" and "Embroidery Spring Blade Asura Battlefield", in fact, director Lu Yang expressed his opinion early: "In terms of the timeline alone, this time it is a prequel. But the whole thing is brand new, only two characters are retained, and the rest are new characters. You can say it is a prequel, but it is also an independent chapter, similar to a new possibility for Shen Lian in a parallel universe." In this parallel world, he made Shen Lian "younger, more passionate, and more impulsive." Of course, it was also "more romantic", just as netizens complained: "Why let the male god Zhang Zhen continue to be the spare tire?" Lu Yang also responded with a joke: "Didn’t he successfully pry other people’s girlfriends in both movies?"

　

In "Embroidery Spring Knife", the woman Shen Lian fell in love with is called Miao Tong (Liu Shishi), and in "Embroidery Spring Knife · Shura Battlefield", the woman Shen Lian fell in love with is the pseudonym Beizhai (Yang Mi). At the end of the film, Shen Lian finally asks Beizhai to say "her name", which is called Miaoxuan. One identity is the official prostitute of the workshop, and the other is the skinny horse sold; one goes to Suzhou at the end of the film, and the other goes to Hangzhou. This setting even makes some netizens joke: "In the third film, will Shen Lian come to Jiangsu, Zhejiang and Shanghai with free shipping?" In fact, it is this kind of meticulous attention to detail that connects the two films together to build a more realistic world of "Embroidery Spring

　

A detail-controlled audience sorted out the timelines of the two films and concluded: "Don’t think that Shen Lian’s love is deep, three months later, he fell in love with another woman named Miao Tong (Liu Shishi)." This kind of ridicule is actually the audience’s recognition of the characters’ torn emotions. But based on Lu Yang’s parallel time and space setting, which woman Shen Lian will face in three months seems to be a big highlight of the third installment of the "Embroidery Spring Knife" series. As Lu Yang said: "No matter which woman is waiting for him, it is also a kind of happiness."

　

Under the guidance of this parallel universe narrative program, the final fate of many of the wonderful characters in "Embroidery Chundao Shura Battlefield" has not been given a clear ending. Lu Yang said: "In the original script, except for Shen Lian, they all hung up. But the actors didn’t want to get the bento, so we didn’t have a death shot, and there are open possibilities." The words seemed to imply that your favorite characters such as Zhang Yi, Lei Jiayin, Xin Zhilei, etc. are all expected to return in the third installment!

　

In the film, Shen Lian faces Ding Baiying (Xin Zhilei), a master of Dingmen, for the first time, and is cut off by a blow. Then he returns home and silently replaces his father’s embroidered spring knife. In the final battle, this treasured sword fully displayed its power. It is reported that Shen Lian’s father is also a Jinyiwei, and this embroidered spring knife is a treasured sword handed down during the Jiajing period. I wonder if there will be a flashback to the heroic story of Shen Lian’s father in the third installment?

　

The relationship between the characters of the Dingmen faction has also become an important clue for fans to study the character map in the two movies with parallel time and space narratives. Let’s borrow a complete summary from a Douban netizens here: 1. The end-credits egg says that Jin Yichuan (Li Dongxue) ‘s original name is Ding Xian; 2. The official statement is that Ding Xiu (Zhou Yiwei) and Jin Yichuan’s master are female; 3. Ding Xiu said that "Master didn’t teach me this trick" and "How did Master like you, a lung ghost"; 4. Ding Xiu came up and asked Jin Yichuan for 100 taels to "check up and down", and the next one should be able to know what he was going to check; 5. Ding Baiying (Xin Zhilei) has many disciples, and the surname Ding is basically this one. It is not difficult to come to the conclusion that Ding Baiying in this installment is the master of Ding Xiu and Jin Yichuan in the first installment. And Ding Xiu’s starting point in the first installment is also completely established: the master "died" under the Jinyi Guard, but the junior brother betrayed the master and became a Jinyi Guard. Only he understands the 30,000 points of damage Ding Xiu suffered.

　

At the end of "Xiechun Knife · Asura Battlefield", Xu Xianchun (a real historical figure, and the Jinyi Guards are all commanding the war) led the team to capture Shen Lian. And the beginning of "Xiechun Knife" three years ago was that Shen Lian was ordered to capture Xu Xianchun. Watching that scene three years ago, I only felt the ruthlessness of the Jinyi Guards, but now the two movies are watched together, and there is a kind of joy after revenge, which shows the changing and sinister times in the late Ming Dynasty.

　

At the end of the film, the popular character Ding Xiu (Zhou Yiwei) in the opening film returns domineering and interrogates the whereabouts of his junior brother "Jin Yichuan". This setting is seamlessly linked to the first part of "Embroidery Spring Blade". Comparing director Lu Yang said: "Ding Xiu’s story line happened at the same time in the two films, I like this character very much, and many fans also like it, so I will definitely keep him!" As for the conjecture of the future third film, Lu Yang also revealed in the interview: "If we make three movies, there will definitely be Ding Xiu, probably many years later Shen Lian and Ding Xiu’s story. Because these two characters I like very much, I like them very much."

　

Easter egg behind- the-scene article: Lu Yang personally did the end credits, Yang Mi stopped the "Sansheng Sanshi" crew for starring

Director Lu Yang is a heavy fan of anime, and Yuki Shinhiro’s and Inoue’s "Waves Kayoshi" are two works he often mentions. Even the presentation of the battle of Sarhu in the title of "Embroidery Chun Knife · Shura Battlefield" is also the opening chapter of "Waves Kayoshi" in tribute to his great god Inoue. At the same time, Lu Yang also said that he likes to watch Japanese sword halberd films. The most impressive sword halberd film showdown is in it. In the end, Toshiro Mifune and Tatsuya Nakadai played a trick like that.

　

"Embroidery Chun Dao · Shura Battlefield" will be tailored according to the character’s identity, including character. And interestingly, the director Lu Yang will even bring this obsession to the character’s name in a "pictographic" way: not to mention the decoration on the knife used by Ding Baiying, Ding Tai – Mace, Ding Chong – Teng Dun Short Knife, Ding Xiu – Long Miao Knife, and even "Jin Yichuan" Ding Xian, looking at the name, it is known that it is the weapon image of the Double Sword Feiyan.

　

The star Yang Mi’s face was stamped in a major scene, and he took more than a dozen shots, and every time he took a shot, Yang Mi’s face was stamped with a red mark. In the director Lu Yang’s mind: the first item of this scene, the actor is in the best condition, but the seal is not perfect. After the number of items arrived, either the seal was well stamped and the actor was not in good condition; or the seal was reversed and incomplete, and the actor’s condition was ok. Lu Yang, who pursued perfectionism, wanted to use computer special effects to adjust the seal at the end, but in the end he didn’t tear it, and chose a shot that was not fully stamped, but the actor was in good condition. "In that state of being interrogated and struggling, it doesn’t matter if the seal is not fully stamped. If you don’t cover it all, it’s real, and the state of the character is the most important. "

　

In order to appear in "Embroidery Chun Knife Shura Battlefield" in the best state, Yang Mi took the initiative to stop the simultaneous filming of the TV series, and she herself was still the producer of that TV series. It was not until all the scenes in Hokusai in "Embroidery Chun Knife Shura Battlefield" were completed that Yang Mi returned to "Sansheng III" to restart the cast.

　

The lead actor Lei Jiayin revealed that during filming, he formed a "small group" on the set called "Two Kings and Two Eyes". Its members are: Lei Jiayin, Xin Zhilei, Li Yuan, and Wu Qiang. They are bitter enemies in the play and good friends in reality. Well, this is very in line with the path of Lord Pei Lun (Lei Jiayin).

　

In addition to Zhang Zhen and Jin Shijie, actor Yang Yi is another actor who has starred in two works in the series at the same time, and what’s more amazing is that he actually plays different roles. In "Embroidery Spring Knife", Yang Yi plays the boyfriend Yan Gongzi of Miao Tong (Liu Shishi) – who was later "pried" by Shen Lian’s girlfriend. In "Embroidery Spring Knife · Asura Battlefield", he plays Shen Lian’s subordinate Yin Cheng – who is forced to kill himself because of the calamity coming out of his mouth. Well, I can only say one thing: You are really cruel to this actor, Director Lu Yang.

　

There are a total of three Easter eggs at the end of the film: the first is the character image in the form of animation, accompanied by the main creative subtitles. Secondly, in the rolling subtitles at the end of the film, a text Easter egg: "The budget is exhausted, there is no way but to do it yourself!" Let the audience smile: It turns out that the production of the closing subtitles is the director Lu Yang himself. The third Easter egg is at the end of the film, which is the domineering return scene of Ding Xiu played by Zhou Yiwei. In the end: those who dare to put the dynamic Easter egg at the end of the closing subtitles look at the Chinese film industry. In addition to the two masters Zhou Xingchi and Xu Ke, Lu Yang is the third person.

　

Ding Xiu’s appearance at the end of the film paid tribute to the classic Hollywood blockbuster. It was also the second installment in the series, which also made the first installment very popular, and the characters of good and evil returned through the Easter Egg (the Easter Egg at the end of "Pirates of the Caribbean 2" was the reappearance of Captain Barbosa). I believe that director Lu Yang has already grasped the essence of creating a series of movies, so as to expand the wider "Embroidery Sword Cinematic Universe".

Chen He introduced "The Beauty of Fuzhou"

1905 movie network news On October 20, the closing ceremony and award ceremony of the 6th Silk Road International Film Festival was held in Fuzhou, Fujian. That night, many Fujian celebrities returned to their hometown, and the atmosphere was very lively and harmonious.

Actor Yao Chen was born in Quanzhou City, Fujian Province. This time, he made a red carpet appearance with his crew, and the red dress was very eye-catching. Actor Chen He was born in Fuzhou City, Fujian Province. He specially introduced the "beauty of Fuzhou" to the audience. "The first thing that comes to mind is food. If you want to lose weight, don’t come here easily." Chen He also taught Zhao Wei and Huang Xiaoming on the stage that Fuzhou dialect "Fuzhou is great"; actor Gong Bei was born in Quanzhou City, Fujian Province. This time, she came to participate in the film festival with a lot of emotion.

Yao Chen and the crew of "Send Me to Qingyun"

The starting point of the Maritime Silk Road is in Fujian Province. As Chen He said, "Fuzhou will continue to demonstrate the humanistic charm of the’blessed state ‘and promote China’s excellent films to the world.

1905 movie network news The 3rd Macao International Film Festival and Awards Ceremony will be held at the Macao Cultural Centre from December 8 to 14, 2018. Recently, the organizers announced at the Cannes International Film Festival that the star ambassador of the 3rd Macao International Film Festival is the well-known Hong Kong film star Kwok Fu-cheng.

　　　

Coinciding with the Cannes promotion of Kuo Fu-cheng’s new film "The Secret of June", the film is directed by the new director Wang Yu, who won the Best Film Award at the New York Academy of Visual Arts Film Festival. The two have already collided for the first time. Kuo Fu-cheng, who has won multiple Academy Awards and Golden Horse Awards, has been an extra-personal supporter of new films. It is the result of working with the new director that he starred in and made a splash during the awards season.

"The new directors have a broad vision and will have an unexpected effect. They have no baggage, are very creative, and have the courage to try, which is a good phenomenon.The film industry needs such a new force to promote, so that the audience can enjoy more diverse films. "Guo Fucheng’s support for new directors in recent years further confirms that the film industry needs more opportunities, so that aspiring newcomers have room to play and progress. This coincides with the theme of" Screen Feast, New Drama "at the Macao International Film Festival, which is dedicated to discovering more new elements for the film industry and creating a new entry ladder for new talents.

"The Macao Film Festival is very attractive, and new directors can absorb different experiences to make the film festival more and more important." Guo Fucheng hopes that through his identity as an ambassador, he can appeal to and attract more friends who like movies, new film forces, and people who want to join the industry to participate in this film festival. When talking about his impression of Macau, Guo Fucheng revealed that "Macau is a very dreamy city, which is the perfect choice for film materials. The script I conceived myself also hopes to shoot in Macau. I hope that in my future scripts, there will be elements of romance, black humor, action and love."

In addition, Guo Fucheng also revealed two new plays of his own, one is directed by Mai Chaohui and Zhuang Wenqiang, a film with Chow Yun-fat and Zhang Jingchu; the other is directed by Weng Ziguang, director of "Hunting for Plum in Blood", a film with Leung Chaowei. "Chow Yun-fat and Leung Chaowei are my favorite actors in Hong Kong. I was fortunate to work with them in the first half of the year, which was not only a spark, but also a dream come true." For this year’s new work, Guo Fucheng is full of expectations. Regarding the invitation of the actor Guo Fucheng as the star ambassador of the third film festival, Mike Goodridge, artistic director of the film festival, said: "It is really encouraging and exciting to have Guo Fucheng, a talented and superb actor, as this year’s star ambassador.

International Film Festival Macao award-winning director Xu Xinxian makes an appearance at the "Face to Face China" series of events in Cannes

Macau director Xu Xinxian was supported by the Macao Special Administrative Region Government Tourism Office to attend several events in the "China Face to Face" series of the 71st Cannes International Film Festival. The Macau International Film Festival recommended the film directed by Xu Xinxian to the "Second New Power of Chinese Film", which was brought to France together with many excellent Chinese-language films and screened at the La Filmothèque du Quartier Latin Cinema in Paris.　

On May 10, the China-Europe Women’s Film Forum was the first to appear at the China Pavilion. Xu Xinxian, Chinese young actress Lu Jingshan, and Thai emerging actress Judymon Joncharong Suin were among the guests to discuss the topic of the influence of female filmmakers. When discussing "As a female worker in the film industry, what is your vision for the future?", director Xu Xinxian, who has received many praise for her feature debut "Bone Girl", said: "It is not easy for newcomers, especially for women, strength and confidence are the most important things." At the same time, she also revealed that although she was once asked to change the script to take care of the box office, she still chose to stick to her values in her works.

On May 14, Xu Xinxian and Sue WHITEHEAD, the representative of the Macao Tourism Bureau in the UK and Ireland, led everyone to visit Macau as a guest at the "China’s most beautiful location ground marketing conference" to encounter the treasure culture of Macau. Macau’s historical sites and modern architecture attract film creators from all over the world. Famous cultural landscapes such as the Archway, Fulong New Street, Rose Hall, and the Venetian have appeared in film and television works. Xu Xinxian also shared her long-standing feelings about Macau with everyone. Her debut film "Bone Girl" showcased a lot of local customs and customs in Macau, and received strong support from various local institutions in Macau.

On May 17, the "2nd New Power of Chinese Film" award ceremony was held at the MAJESTIC Hotel in Cannes, France. The promoter, Xu Zheng, the image ambassador Huang Xiaoming, and the judges of this year’s jury, Alang, Friedrich Obertin, and Serge Hasenavic, were selected as young directors and many other guests to attend the award ceremony that night. In the end, the three awards of the "2nd New Power of Chinese Film", which were based on the opinions of the European professional jury and voted by the media and the audience, were announced one by one at the dinner. The "Special Prize of the Jury" was won by "Bone Girl" directed by Xu Xinxian.

　

Macau International Film Festival and Awards Ceremony inspires new drama on the screen

This year, the Film Festival will continue to prepare an infinite number of new screen images for the audience and the industry. Influenced by Chinese and Western cultures, Macao’s unique culture has created a new focus for the encounter between Chinese and Western industries. To this end, the Film Festival will invite three well-known Asian and three non-Asian directors to select a genre classic inspired by them, so as to introduce these masterpieces that broaden the boundaries of film to the younger generation of audiences and filmmakers, providing a new perspective of Chinese and Western culture.

In order to bridge the gap between the audience and the film, the film festival will continue to promote the film screening unit for family audiences, hoping to provide unique and novel films. The competition section of this film festival will continue to focus on the first and second-time directors, and the winning works will receive 60,000 yuan.

From the audience to the industry, the cutting-edge platform will bloom with infinite possibilities, allowing new directors, actors, new technologies, and new ideas to try more impossible ideas. The international professional team is committed to shaping the film industry exchange meeting to become the center of exchange between the Asian and Western film industries. The International Film Venture Capital Association hopes to attract film projects with Chinese and Western exchange elements, high aesthetic value and vitality.

　

The Preparatory Committee for the 3rd Macao International Film Festival and Awards Ceremony is composed of government representatives and professional filmmakers. The Director of the Macao Special Administrative Region Government Tourism Office, Wen Qihua, is the chairperson; the Director of the Cultural Affairs Bureau, Mu Xinxin, the Chairperson of the Management Committee of the Home Affairs Administration, Dai Zuyi, and the Chairperson of the Macao Film and Television Production Culture Association, Zhou Chua, are the executive vice chairpeople. The international professional team includes the artistic director of the film festival, the manager of the film festival, the ambassador of the film festival, the international consultant and the film selection consultant. The artistic director of the film festival is Mike Goodridge, and the manager of the film festival is Cheng Bixue. The film selection consultant team of the film festival looks for excellent films from all over the world. Members include Giovanna Fulvi, who is responsible for the selection of films in the Chinese mainland, Hong Kong and Taiwan, Violeta Bava, who is responsible for Latin American, Spanish and Portuguese films, Fionnuala Halligan, who is responsible for European, Russian, Israeli, Australian and New Zealand films, Hiromi Aihara, who is responsible for the selection of Japanese films, and Maxine Leonard, who is responsible for US-related affairs. At the same time, Wu Huijun, who has been engaged in the international marketing of films for many years, will continue to serve as the film marketing director of this film festival.

At the same time, the event has received enthusiastic support from all walks of life. Galaxy Entertainment Group, Melco Crown Entertainment, MGM and Wynn Resorts (Macau) joint stock company will be the proud sponsor of the event. Sun City Group is the special sponsor. Macau Tower Convention and Entertainment Center is the venue sponsor, Jet Jet is the designated shipping company for the conference and BMW (Macau) Co., Ltd. is the designated car partner for the conference.

Macao International Film Festival and Awards Ceremony Program Introduction

The Macao International Film Festival and Awards Ceremony program includes: competition section, screen extravaganza, ambush on all sides, Universal Film Festival full view, special screenings, family fun, etc. During the period, film industry exchange sessions and "masterclasses" will also be held.

　

Competition – Contests involving up to 12 feature films will be judged by 5-7 judges.

Screen Gala – Select up to 6 of the year’s highlights for film fans to enjoy;

New Chinese Movies – 4-6 Best Chinese Movies Released in 2018 by the Film Festival Selection Advisory Team;

Ambush on All Sides – Many of the most distinctive international films are screened non-contested.

Universal Film Festival Overview – Many award-winning feature films from major international film festivals this year;

Director’s Vision – Presented by 3 Asian and 3 non-Asian heavyweight directors respectively, 6 genre films with unique appreciation value;

Filmmakers in Focus – Selecting one or two outstanding representatives from different fields of the film industry to screen their films and give interviews to the media;

Special Screenings – Films selected by the Artistic Director and Jury Chairperson related to festival guests and Lifetime Achievement Award winners;

Family Fun – will promote a new family-focused film screening unit, providing unique and original films.

　　　 Created by Guangguang Film Company with huge investment, Chen Jiashang continued the magical giant "Painting Wall" on the front edge of "Liaozhai", which is scheduled to be released nationwide on September 29. Coinciding with the approaching of the annual Chinese Valentine’s Day Qixi Festival, the "Painting Wall" crew specially exposed a group of on-set stills of Deng Chao and Sun Li showing their love on the scene. Deng Chao is dressed as a scholar, and Sun Li’s fairy is playful and charming, just like the legend of the cowherd and the weaver girl meeting at the bridge has become a reality.

Qixi Festival is approaching, Deng Chao Sun Li sweet set photo exposure

　　　 Deng Chao and Sun Li, who became attached to the TV series "Happiness is Like a Flower", admitted at the beginning of the year that they had registered their marriage in February last year. After her wedding in Shanghai in June, Sun Li also announced in a high-profile manner that she was pregnant, which can be described as a double happiness. The work "Painting Wall" directed by Chen Jiashang has also become the first big-screen work of the two newlyweds after their marriage. As the Chinese Valentine’s Day Qixi Festival is approaching, the newlyweds sent photos on the set of "Painting Wall" to wish their lovers a happy marriage.

　　　 In the photos released on the set of "Painting Wall," Deng Chao, dressed as a scholar, flirts with Sun Li, a fairy in a glamorous gauze dress, in a funny pose with a playful and sweet expression. According to the director Chen Jiashang, "They really like Sun Li’s room in" Painting Wall ", which is very simple and matched with antique hairstyles and clothes."

The gold stylist creates the ethereal image of "Painting Wall"

　　　 In addition to the tacit performance of Deng Chao and Sun Li, the costumes of "Painting the Wall" this time are even more exciting. The film’s styling was created by Wu Baoling, a well-known Hong Kong costume stylist – a series of classic costumes such as "The Legend of the New White Lady" and "The Ghost of the New Beautiful Girl" are all created by her. The flying figures of a large number of fairies in the "Daughter Country" in this film also make her look very ethereal. In addition to the exposed green dress, the heroine, Sun Li, also has multiple sets of fairy skirts in different shades of white and black. For Wu Baoling’s design this time, Sun Li is also full of praise: "Each color, each dress, represents a different mentality and status of the characters. Change into different colors of clothing, and you will know what the characters in this scene want to express. "

　　　 The film "Painting the Wall" also gathers Yan Ni, Zou Zhaolong, Zheng Shuang, Bao Beier, An Zhijie, Xie Nan, Liu Yan, Mo Xiaoqi and other powerful actors, and will be fully released on September 29.

Next page More wonderful pictures

As soon as the price of the front foot was reduced, the preview of M5 was released by the back foot.

The new M5 is still an annual redesigned version. From the preview, a new car paint color scheme has been added, and the LOGO, wheel hub, window trim and other places have been blackened, and the new recognition is still very high.

The specific power parameters have not been announced this time, and the new car will be officially released at the auto show, which should comply with this "price reduction tide" and make the action of reducing prices and increasing distribution.