Mango TV will produce a reality show called "Eat Chicken"

1905 movie network news A few days ago, after the Guangzhou and Shanghai stations, Mango TV2018 ****** Investment Fair finally came to ******* on the 25th. At the press conference, Mango TV announced the key content ** 2018, and one ** the S-class variety shows, "Star ** the Wild", was jointly developed with the well-known "Chicken Eater" mobile game, focusing on the current hot game market. According to the project promoter, the variety show investment will exceed 300 million, built by the original "Real Man" team, there will be 32 contestants fighting in teams, and after three rounds ** competitions, the strongest team will be selected. In terms ** the proposed guest list, not only are there senior "Chicken Eater" game fans such as Lin Gengxin and Chen He, but also young artists such as Wang Yuan and Jackson Yee are among them.

When it comes to Chen He and Lin Gengxin, they are simply the leaders of "addicted" online games in the entertainment industry.When the "chicken eating" game was still relatively niche,In one game, Chen He called Lin Gengxin to rush forward, but Lin Gengxin replied, "I’m drinking water, the water spilled", which caused the onlookers to laugh. The two of them participated in a variety show together and were also inseparable from "eating chicken", which turned the variety show into a "eating chicken" promotion show.

Chen Helin keeps updating "Eat Chicken" jokes

Chen Helin updates to turn variety shows into "chicken-eating" promotions

But netizens don’t have to worry about Wang Yuan and Jackson Yee, because although Chen He and Lin Gengxin often go black together, their skills are worse than the other. And Chen He’s skills are already very poor, and the magic is that Lin Gengxin can be better than him. He often hangs up while drinking medicine in the game, and sometimes he doesn’t know how he died. Because of this, Lin Gengxin was able to make Wang Sicong, the "national husband" who had seen a big scene, swear when he ate chicken with Wang Sicong. This matter has occupied the top of the hot search list for a long time.

Dear netizens, who do you think will win if you really join the "Chicken Eating Reality Show"?

"Noodles Introduction" Li Zonghan’s Happy Family
　

　　Recently, the literary film "Face Introduction", which tells the story of Taiwanese veterans returning to their hometowns to visit relatives, is being filmed at the Huairou Film and Television Base. Directed by Li Youning, a famous Taiwanese director and chairman of the Golden Horse Awards jury who has been concerned about the survival of Taiwanese veterans, the drama will reveal a little-known history of a large number of young students who were arrested and forced to retreat to Taiwan on the eve of liberation. In the film, Li Zonghan, a powerful young student from the mainland, starred in Sun Hou-cheng, the male lead who was arrested by the army to save his relatives. In order to reproduce the special history of the capture of the army, Li Zonghan repeatedly filmed scenes of escape, rescue and beating in hot weather. He joked that this time, shooting literary films is more difficult than previous martial arts films such as "Guan Yunchang".

　　In "Face Introduction", Li Zonghan plays Sun Houcheng, a well-educated young man who was born in a big house in Qingdao. He goes home with his younger brother, but he encounters soldiers who capture him on the way. Although the two try to escape, Sun Houcheng is still knocked unconscious and taken away to save his younger brother. From then on, he has been in Taiwan for 60 years, away from his hometown, away from his parents, and away from his new wife. He said that his role in Sun Houcheng this time is like experiencing a condensed life. He not only understands the lifestyle of the young master of Qingdao Dazhamen in 1949, but also experiences the displacement and bitterness of Taiwanese veterans who were forced to leave their hometown during the war.

　　In order to film the key scenes known as the "twist of fate" of the male protagonist, Li Zonghan ignored the hot weather and the old injury on his waist, and cooperated with the director from long-range, close-up to close-up, repeatedly filmed several big scenes of escape, rescue, and beating. For his professionalism and excellent acting skills, director Li Youning praised and bluntly said that Li Zonghan’s performance gave him a lot of new inspiration. Li Zonghan, who spent 4 hours "tossing" for the capture scene, laughed that he did not expect this literary film to be more difficult than previous martial arts films such as "Sword Rain" and "Guan Yunchang", but he also said that the story of "Face Introduction" is very attractive, and it is worth working hard for such a good movie.

Since the tank and equation leopard brands brought fire to the domestic hard-core off-road SUV market, Chery’s Jietu brand has also begun to attack the hard-core off-road field. You know, the current Jietu and Shanhai T2 car series can contribute 7,344 and 5,175 new car monthly sales reports respectively, and in essence, these two cars are actually one car, but one is pure fuel, while the other is a system.

Therefore, since Jietu has tasted the "sweetness" in the traveler and Shanhai T2, it is natural to want to deepen this field. No, the car we are going to talk about today is the model that Jietu officially unveiled at the Beijing Auto Show in April this year.

Why talk about this car? The reason is,It is another large hardcore off-road SUV that Jietu is about to launch.andIt also has the appearance of models under brands such as Tanks and Equation LeopardsEquipped with three locks at the same time, isn’t that hardcore enough and worth a look? Let’s find out together.

In terms of appearance, the Jietu Shanhai T5 has a very tough design style as a whole, whether it is the chassis with high ground clearance, the design of the front wheels close to the front of the car, or the big wheels that expand outward, all of which convey that it is a true hardcore off-road vehicle.

Looking closely at the front face, you will find that its headlights are actually a whole module, and there is no air intake grille. It feels very similar to the equation leopard, but it also has its own family-style design, which is a major feature and confirms its identity as a new energy hardcore off-road SUV.

On the side, we can first see the thick and expanding wheel eyebrows, and the tires are all-terrain AT tires, which are supplied by Blu Chi. In addition, the rim style of the new car is also quite chic and technological, using a four-spoke two-color design, which looks quite special.

The roof has a sturdy luggage rack, and the luggage rack is also designed with LED spotlights, which is very personalized. In addition, from the small ladder on the side of the rear of the car, we can also guess that a roof tent should be able to be set up on the luggage rack for camping players to rest. This is also considered a good consideration.

The rear door is designed with a side opening, and the vertical taillights are not small in size, so they look more hardened. The entire rear window has a good view, and with the external spare tire, it is expected to be very popular with off-road players. There are two trailer hooks on the lower rear bumper, which should be able to tow accessories like RVs and cargo buckets every day, and it will be more convenient to rescue vehicles when they are trapped.

Looking at the appearance, everyone must be very concerned about its power system. According to the currently known information, this Shanhai T5 uses a car body, while the suspension system is a combination of front and rear arms and rear multiple links, which also makes it take into account the ride comfort when driving on paved roads to a certain extent.

In addition, from the Kunlun super hybrid off-road platform chassis architecture on display at Chery’s booth, we can also see that Jietu Shanhai T5 is expected to be equipped with air suspension and electric winch. Among them, the former can improve ride comfort and passability, while the latter can play a role in towing or rescue missions.

As for power, we learned from the internal personnel of the manufacturer that this Shanhai T5 will be equipped with a 2.0TGDI vertical hybrid special engine, and with Chery’s latest generation of hybrid gearbox and "three locks", using a combination of 2.0T + 2DHT + 2-speed P4 motor, the total power of the system is 560kW, the total torque is 795 Nm, and the full fuel and full battery life can reach 1400km. The performance indicators can be said to be quite exaggerated.

Finally, I’m sure everyone is still very concerned about when this car will come. The manufacturer also revealed that it is expected that the new car will be officially launched in 2025, that is, next year. As for the specific price, there is no relevant substantive information yet. We guess that this Shanhai T5 may be sold until about 300,000, and the future will also be benchmarked against models like Great Wall/, Equation Leopard 5/.

In short, the expectations brought by Jietu’s Shanhai T5 are still very high. First, its appearance is quite tough and domineering, and it has a futuristic feeling, which makes people want to drive it to trek mountains and rivers. Second, the hard-core off-road configuration like three locks and the car body does not leak in it, which undoubtedly broadens people’s imagination of it. Finally, if it can still have a final price that matches its own product strength, then I believe that this Shanhai T5 has the opportunity to become another "emerging force" that is sought after by people after the Great Wall tank, BYD equation leopard brand and other models. Friends who like it may wish to save money quickly. After all, we will be able to buy it next year. ( Text/Youshi Automotive, Dazhuo)

Note: The pictures are from the Internet, and the rights belong to the original author. If there is any infringement, please contact to delete it, and thank you together! This article only represents the author’s personal opinion and does not represent the position of Youshi Auto.

1905 movie network news On July 13, director Jiang Wen’s new work "Evil Does Not Suppress Justice", co-directed by Jiang Wen, Peng Yuyan, Liao Fan, Zhou Yun and Xu Qing, officially landed in more than 500 IMAX theaters across the country. On July 14, IMAX held a media viewing conference in Beijing. This film, which Ning Hao rated as "special Jiang Wen", made the audience addicted with its ups and downs of suspense plot and intensive and intense action scenes. Under the help of the crystal clear image quality of the IMAX cinema screen and the realistic and shocking sound system, the audience seemed to be immersed in a romantic and suspenseful revenge story of the Republic of China, and deeply appreciated the long-lost youth and rivers and lakes of director Jiang Wen.

IMAX freehand presents "Jiang Wen-style good play", and the media comments on the film "spicy and powerful"

Adapted from Zhang Beihai’s novel "The Hidden Man," the final chapter of Jiang Wen’s trilogy of the Republic of China takes place in Beijing, under the rule of the Beiyang government, and tells the story of Li Tianran, played by Peng Yuyan, avenging his teachers. With a good and evil storyline, intensive fighting with knives and guns, sharp and fast editing, ubiquitous jokes, and romantic and melodious Western soundtrack, a "very Jiang Wen" -style drama has conquered the media and film critics, and won a burst of reputation. The film critics Mission Impossible praised the film as "a pot of spirits labeled by Jiang Wen, happy with enmity, spicy and powerful, and the violent aesthetic wantonly in the ice and snow of Beiping, flying on the top of the roof."

"Evil does not suppress good" is Jiang Wen’s sixth film, and it is also his second collaboration with IMAX. Director Jiang Wen specially created Beiping of the Republic of China, which is particularly eye-catching on the IMAX high definition bright big screen. With a clear and realistic picture texture and a penetrating sound system, the audience is fully immersed in the imaginative world. When Li Tianran flew on the roof, the audience seemed to follow him on the roof, sometimes with swords and shadows, flying on the wall, sometimes generously singing and happy enmity. After the screening, the media all lamented that the film was "burning, cool, happy and full of energy". Some media feedback said that "the IMAX big screen makes you see the easter eggs of Jiang Wen’s movies full of imagination everywhere". Some people even said that "after reading it, it is still unfinished, and it is worth enjoying it again and again. I am ready to brush the IMAX version again in the near future."

IMAX delicately reshapes the scenery of Beiping in the Republic of China, Jia Zhangke praises "fascinating"

On the IMAX big screen, the audience was deeply impressed by the Peiping of the Republic of China, which was infused with Jiang Wen’s romantic feelings. Even director Jia Zhangke could not help but praise it after the screening: "The old Peiping under the lens of director Jiang Wen is fascinating, and the Peiping without traffic jams and heavy snow in the movie is really beautiful. The whole movie is a rooftop poem, strong and affectionate." The Beijing city in the film is like a character hidden in the dark, quietly emitting the atmosphere of the times and the unique charm: the iconic bell tower, city walls, alleys, bricks and tiles will restore the original style of the old Beijing of the Republic of China, and the beautiful overlook perspective is presented under the IMAX large screen and delicate image quality, making the audience seem to have traveled through time and space and entered the former Beiping.

The luxury lineup gathers on the IMAX big screen, and the stars work together to interpret the chaotic times in Peiping

Jiang Wen, Peng Yuyan, Liao Fan, Zhou Yun, and Xu Qing, several powerful actors of different styles, are also highly anticipated by the audience this time. The big screen that extends from the floor to the ceiling of the IMAX theater is not only wider but also higher and more curved, making the audience feel that sitting in any position can feel as if several movie stars are in front of the sharp confrontation. According to media reports, Peng Yuyan has once again become a fan on the IMAX big screen with his breakthrough acting skills, appropriately matching Li Tianran’s unique enthusiasm and youthful feeling in his early twenties; Liao Fan’s villain Zhu Qianlong is also impressive, with a simple and rough two-cropped beard, sparse eyebrows, and blue veins bursting on his forehead.

Zhou Yun and Xu Qing’s perfect interpretation of the two important female characters in the film makes it impossible to look away from the IMAX big screen. Zhou Yun’s frown and smile vividly and vividly interpret Guan Qiaohong, a woman with a complex heart who hides the sewing workshop; Xu Qing incarnates as an "angel devil" to play Tang Fengyi, a beautiful courtesan among the dormant and powerful, with a smiling pear vortex, a graceful figure wrapped in a cheongsam, and an innocent expression pretending to be coquettish. The fish and dragons are mixed with many parties to wrestle, and the interests of power and hatred are crisscrossed. The IMAX big screen will present their most graceful figure and the most delicate performance with its excellent texture.

The IMAX version is transformed by IMAX DMR ? (Digital Reproduction Technology) to provide audiences with unparalleled audio-visual quality that meets the ? standards of the IMAX viewing experience. Crystal-clear images, combined with tailor-made IMAX theater design, and a powerful digital sound system also create a unique environment for moviegoers to truly feel the "immersive" viewing experience.

1905 movie network news After three years of polishing and upgrading, the "embroidered spring knife" is back! What it brings back is not only to continue the strong reputation of the first film (so far, Douban has a rating of 7.6), but also to inject fresh energy into traditional costume action movies. The combination of cultural, opera and martial arts explodes, all the cast performances are online, the service is exquisite and meticulous, the story is calm, and the style is romantic, all of which make this latest work in this series a "candidate of the year" for many audiences. The director Lu Yang’s carefully arranged "parallel time and space" narrative system makes it possible for the film to open a new "embroidered spring knife film universe". The details, connections, tributes, and easter eggs that abound in those films make fans enjoy it, trying to open the two-brush three-brush mode. This article attempts to disassemble all aspects of "Embroidery Spring Sword · Asura Battlefield" and see how Lu Yang constructs an original IP reload.

(Note: This article contains minor spoilers. Reading is risky, and there is no need to be cautious when purchasing tickets.)

Detailed interpretation: over 4000 shots cut to fly, do not cut the drawbridge Yang Mi "return" romantic bug full solution

To really understand the details of "Embroidery Chun Dao Shura Battlefield", it is necessary to have a wave of data flow first: 4 new versions of the film story were written, and 2 versions of the script were written. Director Lu Yang spent 50 days working with the cinematographer and action director to produce a set of sub-shot scripts. The script is 236 pages, with a total of 139 scenes and 2,500 shots. About 30 shots are completed every day, and at most more than 100 shots are completed in one day. The total number of costumes that appear in the film is 268 sets. There are 12 types of weapons in the film, and there are 10 types in the cast. More than 4,000 people are used in the group. In the last suspension bridge scene, the entire suspension bridge was actually built, weighing 9 tons. It took more than 100 people a month and a half and cost more than 400,000 yuan. The number of shots cut into films exceeds 4,000, and for comparison: the number of shots in the whole film is 3,410. This is also one of the proof that the series is called the Ming Dynasty version of "Bourne Shadows".

In addition to the fast-paced style hailed by fans as "crazy cutting", the persistence of "Embroidery Spring Sword Shura Battlefield" in handheld photography is in the same vein as the series. According to Lu Yang’s director, more than 70% of the shots in the whole film are handheld photography! Some viewers commented: "Lu Yang’s mirror movement photography and action design have become their own school, making people put themselves in the martial arts. A large number of moving long mirrors and handheld photography follow the footsteps, so that the knife skills can be quickly and neatly." Speaking of his love for handheld photography, Lu Yang said in an interview: "I like handheld photography, it is very close and real, and the breathing lens makes the picture more agile."

It is precisely because of the quick-cut lens style and handheld photography texture that Director Lu Yang insists that the film will never be made in 3D, and will be released in full 2D format, ensuring the best look and feel for the audience.

The setting of Shen Lian’s (Zhang Zhen) black cat "one corner" also made many audiences feel warm, and they praised Shen Lian for joining the army of "stroking cats". Especially the re-appearance of the black cat at the end of the film, which is safe and sound, is even more reassuring to cat lovers. For such a special role, director Lu Yang said: "It is to make Shen Lian no longer lonely." It is worth mentioning that the cat in the film is played by two cats. "Dahei acted a few times and got lost. Later scenes were shot by Erhei," Lu Yang revealed. At present, the cat named Erhei has become the mascot of Lu Yang’s director Free Cool Whale Film. By the way, as for the scene where the black cat was shot by the gun, the cat-loving director Lu Yang naturally would not let Erhei go into battle in person, but used the computer special effects completely.

The painting of Beizhai in the film has also become an entry point for fans to interpret the film. Especially the painting of the black rooster pecking the grasshopper, which highlights the characters of Shen Lian, Beizhai, and even Wei Zhongxian. Some viewers interpreted the black rooster as Wei Zhongxian, and the grasshopper as Shen Lian. Some people think that the setting of the chicken and the grasshopper alludes to Wei Zhongxian’s identity characteristics (the sound of the grasshopper is like "father-in-law"), so the painting of Beizhai became contraband at that time. Director Lu Yang also has his own interpretation of the setting of this painting: "In fact, what Shen Lian saw was the grasshopper in front of the black rooster, the grasshopper fighting the rooster. Shen Lian felt a little empathy, facing a weak image of a powerful force, but still fighting. He felt that the painting was something that didn’t exist in his world. It was something that had a lot of vitality and grew naturally. It wasn’t a world where everyone would struggle under their rules.

In addition to a large number of details, the setting of several scenes at the end of the film has also become the focus of heated discussion among the audience. In particular, before the end of the film, the Bug question of "why the escape team did not cross the suspension bridge and then cut the bridge to escape", has not been interrupted since the film was released. After the film was released, a large number of netizens consulted Director Lu Yang on this issue on Weibo. In fact, as early as the day of the premiere, Director Lu Yang had already explained this setting: "The scene where we built the bridge weighed 9 tons, but in fact it would only be heavier. We also saw that Shen Lian still cut the bridge in the end, but it took time. With the pursuit of troops in the back and the interception in the front, Shen Lian needed plenty of time to complete the cutting work. In the end, when he cuts the bridge, he can only succeed if the three masters Lu Wenzhao (Zhang Yi), Pei Lun (Lei Jiayin), and Ding Baiying (Xin Zhilei) work together to cover it. "In addition to the director’s interpretation, a large number of female audiences romantically believed:" Everything Shen Lian does is to buy time for the woman he loves. This is not a bug, this is love! "

Why did Hokusai (Yang Mi) come back? Many viewers would have this kind of confusion when they saw the end: "So many people sacrificed for you, just to let you run for your life, why did you come back to cause trouble?" Regarding the question of this plot setting, the star Zhang Zhen also posted a romantic response: "Shen Lian always does more and says less, but Beizhai (Yang Mi) understands everything, so in the end the suspension bridge ran away or came back again for Shen Lian." And director Lu Yang thought: "If someone sacrificed their life for me, I will return after I run away, even if it doesn’t help."

At the end of the film, why didn’t Chongzhen (Liu Duanduan) kill Shen Lian? "He eradicated everything in order to become king, from Wei Zhongxian to Lu Wenzhao and other henchmen, and even the beloved woman Beizhai, why did he let Shen Lian go?" After the film was released, this ending design also caused fans to debate. According to Liu Duanduan, who plays Chongzhen in the film: "I also asked this question when I talked to director Lu Yang about the script. The director’s answer was that he had promised Beizhai to eliminate the emasculation. At the last moment, Jun Wu joked that he wanted the world and Beizhai to see that he had kept this promise." To this, director Lu Yang also gave his own response: "Chongzhen wants to be a good emperor. At this time, the throne has been stabilized, and he knows that Shen Lian is a person who really has perseverance and faith. Shen Lian’s actions are worthy of letting him live, and Chongzhen doesn’t want to kill such a person. "In fact, recalling the image of Chongzhen in the first" Embroidery Spring Sword ", this character also said:" Hundreds of people have been killed, and you want me to be unusable?! "This design not only makes the characters more plump, but also completes the linkage between the two films.

Parallel time and space related articles: Ding Xiu appears in the whole series, seamlessly linking the third part of the conjecture classic character hope to return

Regarding the connection between the first installment of "Embroidery Spring Blade" and "Embroidery Spring Blade Asura Battlefield", in fact, director Lu Yang expressed his opinion early: "In terms of the timeline alone, this time it is a prequel. But the whole thing is brand new, only two characters are retained, and the rest are new characters. You can say it is a prequel, but it is also an independent chapter, similar to a new possibility for Shen Lian in a parallel universe." In this parallel world, he made Shen Lian "younger, more passionate, and more impulsive." Of course, it was also "more romantic", just as netizens complained: "Why let the male god Zhang Zhen continue to be the spare tire?" Lu Yang also responded with a joke: "Didn’t he successfully pry other people’s girlfriends in both movies?"

In "Embroidery Spring Knife", the woman Shen Lian fell in love with is called Miao Tong (Liu Shishi), and in "Embroidery Spring Knife · Shura Battlefield", the woman Shen Lian fell in love with is the pseudonym Beizhai (Yang Mi). At the end of the film, Shen Lian finally asks Beizhai to say "her name", which is called Miaoxuan. One identity is the official prostitute of the workshop, and the other is the skinny horse sold; one goes to Suzhou at the end of the film, and the other goes to Hangzhou. This setting even makes some netizens joke: "In the third film, will Shen Lian come to Jiangsu, Zhejiang and Shanghai with free shipping?" In fact, it is this kind of meticulous attention to detail that connects the two films together to build a more realistic world of "Embroidery Spring

A detail-controlled audience sorted out the timelines of the two films and concluded: "Don’t think that Shen Lian’s love is deep, three months later, he fell in love with another woman named Miao Tong (Liu Shishi)." This kind of ridicule is actually the audience’s recognition of the characters’ torn emotions. But based on Lu Yang’s parallel time and space setting, which woman Shen Lian will face in three months seems to be a big highlight of the third installment of the "Embroidery Spring Knife" series. As Lu Yang said: "No matter which woman is waiting for him, it is also a kind of happiness."

Under the guidance of this parallel universe narrative program, the final fate of many of the wonderful characters in "Embroidery Chundao Shura Battlefield" has not been given a clear ending. Lu Yang said: "In the original script, except for Shen Lian, they all hung up. But the actors didn’t want to get the bento, so we didn’t have a death shot, and there are open possibilities." The words seemed to imply that your favorite characters such as Zhang Yi, Lei Jiayin, Xin Zhilei, etc. are all expected to return in the third installment!

In the film, Shen Lian faces Ding Baiying (Xin Zhilei), a master of Dingmen, for the first time, and is cut off by a blow. Then he returns home and silently replaces his father’s embroidered spring knife. In the final battle, this treasured sword fully displayed its power. It is reported that Shen Lian’s father is also a Jinyiwei, and this embroidered spring knife is a treasured sword handed down during the Jiajing period. I wonder if there will be a flashback to the heroic story of Shen Lian’s father in the third installment?

The relationship between the characters of the Dingmen faction has also become an important clue for fans to study the character map in the two movies with parallel time and space narratives. Let’s borrow a complete summary from a Douban netizens here: 1. The end-credits egg says that Jin Yichuan (Li Dongxue) ‘s original name is Ding Xian; 2. The official statement is that Ding Xiu (Zhou Yiwei) and Jin Yichuan’s master are female; 3. Ding Xiu said that "Master didn’t teach me this trick" and "How did Master like you, a lung ghost"; 4. Ding Xiu came up and asked Jin Yichuan for 100 taels to "check up and down", and the next one should be able to know what he was going to check; 5. Ding Baiying (Xin Zhilei) has many disciples, and the surname Ding is basically this one. It is not difficult to come to the conclusion that Ding Baiying in this installment is the master of Ding Xiu and Jin Yichuan in the first installment. And Ding Xiu’s starting point in the first installment is also completely established: the master "died" under the Jinyi Guard, but the junior brother betrayed the master and became a Jinyi Guard. Only he understands the 30,000 points of damage Ding Xiu suffered.

At the end of "Xiechun Knife · Asura Battlefield", Xu Xianchun (a real historical figure, and the Jinyi Guards are all commanding the war) led the team to capture Shen Lian. And the beginning of "Xiechun Knife" three years ago was that Shen Lian was ordered to capture Xu Xianchun. Watching that scene three years ago, I only felt the ruthlessness of the Jinyi Guards, but now the two movies are watched together, and there is a kind of joy after revenge, which shows the changing and sinister times in the late Ming Dynasty.

At the end of the film, the popular character Ding Xiu (Zhou Yiwei) in the opening film returns domineering and interrogates the whereabouts of his junior brother "Jin Yichuan". This setting is seamlessly linked to the first part of "Embroidery Spring Blade". Comparing director Lu Yang said: "Ding Xiu’s story line happened at the same time in the two films, I like this character very much, and many fans also like it, so I will definitely keep him!" As for the conjecture of the future third film, Lu Yang also revealed in the interview: "If we make three movies, there will definitely be Ding Xiu, probably many years later Shen Lian and Ding Xiu’s story. Because these two characters I like very much, I like them very much."

Easter egg behind- the-scene article: Lu Yang personally did the end credits, Yang Mi stopped the "Sansheng Sanshi" crew for starring

Director Lu Yang is a heavy fan of anime, and Yuki Shinhiro’s and Inoue’s "Waves Kayoshi" are two works he often mentions. Even the presentation of the battle of Sarhu in the title of "Embroidery Chun Knife · Shura Battlefield" is also the opening chapter of "Waves Kayoshi" in tribute to his great god Inoue. At the same time, Lu Yang also said that he likes to watch Japanese sword halberd films. The most impressive sword halberd film showdown is in it. In the end, Toshiro Mifune and Tatsuya Nakadai played a trick like that.

"Embroidery Chun Dao · Shura Battlefield" will be tailored according to the character’s identity, including character. And interestingly, the director Lu Yang will even bring this obsession to the character’s name in a "pictographic" way: not to mention the decoration on the knife used by Ding Baiying, Ding Tai – Mace, Ding Chong – Teng Dun Short Knife, Ding Xiu – Long Miao Knife, and even "Jin Yichuan" Ding Xian, looking at the name, it is known that it is the weapon image of the Double Sword Feiyan.

The star Yang Mi’s face was stamped in a major scene, and he took more than a dozen shots, and every time he took a shot, Yang Mi’s face was stamped with a red mark. In the director Lu Yang’s mind: the first item of this scene, the actor is in the best condition, but the seal is not perfect. After the number of items arrived, either the seal was well stamped and the actor was not in good condition; or the seal was reversed and incomplete, and the actor’s condition was ok. Lu Yang, who pursued perfectionism, wanted to use computer special effects to adjust the seal at the end, but in the end he didn’t tear it, and chose a shot that was not fully stamped, but the actor was in good condition. "In that state of being interrogated and struggling, it doesn’t matter if the seal is not fully stamped. If you don’t cover it all, it’s real, and the state of the character is the most important. "

In order to appear in "Embroidery Chun Knife Shura Battlefield" in the best state, Yang Mi took the initiative to stop the simultaneous filming of the TV series, and she herself was still the producer of that TV series. It was not until all the scenes in Hokusai in "Embroidery Chun Knife Shura Battlefield" were completed that Yang Mi returned to "Sansheng III" to restart the cast.

The lead actor Lei Jiayin revealed that during filming, he formed a "small group" on the set called "Two Kings and Two Eyes". Its members are: Lei Jiayin, Xin Zhilei, Li Yuan, and Wu Qiang. They are bitter enemies in the play and good friends in reality. Well, this is very in line with the path of Lord Pei Lun (Lei Jiayin).

In addition to Zhang Zhen and Jin Shijie, actor Yang Yi is another actor who has starred in two works in the series at the same time, and what’s more amazing is that he actually plays different roles. In "Embroidery Spring Knife", Yang Yi plays the boyfriend Yan Gongzi of Miao Tong (Liu Shishi) – who was later "pried" by Shen Lian’s girlfriend. In "Embroidery Spring Knife · Asura Battlefield", he plays Shen Lian’s subordinate Yin Cheng – who is forced to kill himself because of the calamity coming out of his mouth. Well, I can only say one thing: You are really cruel to this actor, Director Lu Yang.

There are a total of three Easter eggs at the end of the film: the first is the character image in the form of animation, accompanied by the main creative subtitles. Secondly, in the rolling subtitles at the end of the film, a text Easter egg: "The budget is exhausted, there is no way but to do it yourself!" Let the audience smile: It turns out that the production of the closing subtitles is the director Lu Yang himself. The third Easter egg is at the end of the film, which is the domineering return scene of Ding Xiu played by Zhou Yiwei. In the end: those who dare to put the dynamic Easter egg at the end of the closing subtitles look at the Chinese film industry. In addition to the two masters Zhou Xingchi and Xu Ke, Lu Yang is the third person.

Ding Xiu’s appearance at the end of the film paid tribute to the classic Hollywood blockbuster. It was also the second installment in the series, which also made the first installment very popular, and the characters of good and evil returned through the Easter Egg (the Easter Egg at the end of "Pirates of the Caribbean 2" was the reappearance of Captain Barbosa). I believe that director Lu Yang has already grasped the essence of creating a series of movies, so as to expand the wider "Embroidery Sword Cinematic Universe".

Chen He introduced "The Beauty of Fuzhou"

1905 movie network news On October 20, the closing ceremony and award ceremony of the 6th Silk Road International Film Festival was held in Fuzhou, Fujian. That night, many Fujian celebrities returned to their hometown, and the atmosphere was very lively and harmonious.

Actor Yao Chen was born in Quanzhou City, Fujian Province. This time, he made a red carpet appearance with his crew, and the red dress was very eye-catching. Actor Chen He was born in Fuzhou City, Fujian Province. He specially introduced the "beauty of Fuzhou" to the audience. "The first thing that comes to mind is food. If you want to lose weight, don’t come here easily." Chen He also taught Zhao Wei and Huang Xiaoming on the stage that Fuzhou dialect "Fuzhou is great"; actor Gong Bei was born in Quanzhou City, Fujian Province. This time, she came to participate in the film festival with a lot of emotion.

Yao Chen and the crew of "Send Me to Qingyun"

The starting point of the Maritime Silk Road is in Fujian Province. As Chen He said, "Fuzhou will continue to demonstrate the humanistic charm of the’blessed state ‘and promote China’s excellent films to the world.

1905 movie network news The 3rd Macao International Film Festival and Awards Ceremony will be held at the Macao Cultural Centre from December 8 to 14, 2018. Recently, the organizers announced at the Cannes International Film Festival that the star ambassador of the 3rd Macao International Film Festival is the well-known Hong Kong film star Kwok Fu-cheng.

Coinciding with the Cannes promotion of Kuo Fu-cheng’s new film "The Secret of June", the film is directed by the new director Wang Yu, who won the Best Film Award at the New York Academy of Visual Arts Film Festival. The two have already collided for the first time. Kuo Fu-cheng, who has won multiple Academy Awards and Golden Horse Awards, has been an extra-personal supporter of new films. It is the result of working with the new director that he starred in and made a splash during the awards season.

"The new directors have a broad vision and will have an unexpected effect. They have no baggage, are very creative, and have the courage to try, which is a good phenomenon.The film industry needs such a new force to promote, so that the audience can enjoy more diverse films. "Guo Fucheng’s support for new directors in recent years further confirms that the film industry needs more opportunities, so that aspiring newcomers have room to play and progress. This coincides with the theme of" Screen Feast, New Drama "at the Macao International Film Festival, which is dedicated to discovering more new elements for the film industry and creating a new entry ladder for new talents.

"The Macao Film Festival is very attractive, and new directors can absorb different experiences to make the film festival more and more important." Guo Fucheng hopes that through his identity as an ambassador, he can appeal to and attract more friends who like movies, new film forces, and people who want to join the industry to participate in this film festival. When talking about his impression of Macau, Guo Fucheng revealed that "Macau is a very dreamy city, which is the perfect choice for film materials. The script I conceived myself also hopes to shoot in Macau. I hope that in my future scripts, there will be elements of romance, black humor, action and love."

In addition, Guo Fucheng also revealed two new plays of his own, one is directed by Mai Chaohui and Zhuang Wenqiang, a film with Chow Yun-fat and Zhang Jingchu; the other is directed by Weng Ziguang, director of "Hunting for Plum in Blood", a film with Leung Chaowei. "Chow Yun-fat and Leung Chaowei are my favorite actors in Hong Kong. I was fortunate to work with them in the first half of the year, which was not only a spark, but also a dream come true." For this year’s new work, Guo Fucheng is full of expectations. Regarding the invitation of the actor Guo Fucheng as the star ambassador of the third film festival, Mike Goodridge, artistic director of the film festival, said: "It is really encouraging and exciting to have Guo Fucheng, a talented and superb actor, as this year’s star ambassador.

International Film Festival Macao award-winning director Xu Xinxian makes an appearance at the "Face to Face China" series of events in Cannes

Macau director Xu Xinxian was supported by the Macao Special Administrative Region Government Tourism Office to attend several events in the "China Face to Face" series of the 71st Cannes International Film Festival. The Macau International Film Festival recommended the film directed by Xu Xinxian to the "Second New Power of Chinese Film", which was brought to France together with many excellent Chinese-language films and screened at the La Filmothèque du Quartier Latin Cinema in Paris.　

On May 10, the China-Europe Women’s Film Forum was the first to appear at the China Pavilion. Xu Xinxian, Chinese young actress Lu Jingshan, and Thai emerging actress Judymon Joncharong Suin were among the guests to discuss the topic of the influence of female filmmakers. When discussing "As a female worker in the film industry, what is your vision for the future?", director Xu Xinxian, who has received many praise for her feature debut "Bone Girl", said: "It is not easy for newcomers, especially for women, strength and confidence are the most important things." At the same time, she also revealed that although she was once asked to change the script to take care of the box office, she still chose to stick to her values in her works.

On May 14, Xu Xinxian and Sue WHITEHEAD, the representative of the Macao Tourism Bureau in the UK and Ireland, led everyone to visit Macau as a guest at the "China’s most beautiful location ground marketing conference" to encounter the treasure culture of Macau. Macau’s historical sites and modern architecture attract film creators from all over the world. Famous cultural landscapes such as the Archway, Fulong New Street, Rose Hall, and the Venetian have appeared in film and television works. Xu Xinxian also shared her long-standing feelings about Macau with everyone. Her debut film "Bone Girl" showcased a lot of local customs and customs in Macau, and received strong support from various local institutions in Macau.

On May 17, the "2nd New Power of Chinese Film" award ceremony was held at the MAJESTIC Hotel in Cannes, France. The promoter, Xu Zheng, the image ambassador Huang Xiaoming, and the judges of this year’s jury, Alang, Friedrich Obertin, and Serge Hasenavic, were selected as young directors and many other guests to attend the award ceremony that night. In the end, the three awards of the "2nd New Power of Chinese Film", which were based on the opinions of the European professional jury and voted by the media and the audience, were announced one by one at the dinner. The "Special Prize of the Jury" was won by "Bone Girl" directed by Xu Xinxian.

Macau International Film Festival and Awards Ceremony inspires new drama on the screen

This year, the Film Festival will continue to prepare an infinite number of new screen images for the audience and the industry. Influenced by Chinese and Western cultures, Macao’s unique culture has created a new focus for the encounter between Chinese and Western industries. To this end, the Film Festival will invite three well-known Asian and three non-Asian directors to select a genre classic inspired by them, so as to introduce these masterpieces that broaden the boundaries of film to the younger generation of audiences and filmmakers, providing a new perspective of Chinese and Western culture.

In order to bridge the gap between the audience and the film, the film festival will continue to promote the film screening unit for family audiences, hoping to provide unique and novel films. The competition section of this film festival will continue to focus on the first and second-time directors, and the winning works will receive 60,000 yuan.

From the audience to the industry, the cutting-edge platform will bloom with infinite possibilities, allowing new directors, actors, new technologies, and new ideas to try more impossible ideas. The international professional team is committed to shaping the film industry exchange meeting to become the center of exchange between the Asian and Western film industries. The International Film Venture Capital Association hopes to attract film projects with Chinese and Western exchange elements, high aesthetic value and vitality.

The Preparatory Committee for the 3rd Macao International Film Festival and Awards Ceremony is composed of government representatives and professional filmmakers. The Director of the Macao Special Administrative Region Government Tourism Office, Wen Qihua, is the chairperson; the Director of the Cultural Affairs Bureau, Mu Xinxin, the Chairperson of the Management Committee of the Home Affairs Administration, Dai Zuyi, and the Chairperson of the Macao Film and Television Production Culture Association, Zhou Chua, are the executive vice chairpeople. The international professional team includes the artistic director of the film festival, the manager of the film festival, the ambassador of the film festival, the international consultant and the film selection consultant. The artistic director of the film festival is Mike Goodridge, and the manager of the film festival is Cheng Bixue. The film selection consultant team of the film festival looks for excellent films from all over the world. Members include Giovanna Fulvi, who is responsible for the selection of films in the Chinese mainland, Hong Kong and Taiwan, Violeta Bava, who is responsible for Latin American, Spanish and Portuguese films, Fionnuala Halligan, who is responsible for European, Russian, Israeli, Australian and New Zealand films, Hiromi Aihara, who is responsible for the selection of Japanese films, and Maxine Leonard, who is responsible for US-related affairs. At the same time, Wu Huijun, who has been engaged in the international marketing of films for many years, will continue to serve as the film marketing director of this film festival.

At the same time, the event has received enthusiastic support from all walks of life. Galaxy Entertainment Group, Melco Crown Entertainment, MGM and Wynn Resorts (Macau) joint stock company will be the proud sponsor of the event. Sun City Group is the special sponsor. Macau Tower Convention and Entertainment Center is the venue sponsor, Jet Jet is the designated shipping company for the conference and BMW (Macau) Co., Ltd. is the designated car partner for the conference.

Macao International Film Festival and Awards Ceremony Program Introduction

The Macao International Film Festival and Awards Ceremony program includes: competition section, screen extravaganza, ambush on all sides, Universal Film Festival full view, special screenings, family fun, etc. During the period, film industry exchange sessions and "masterclasses" will also be held.

Competition – Contests involving up to 12 feature films will be judged by 5-7 judges.

Screen Gala – Select up to 6 of the year’s highlights for film fans to enjoy;

New Chinese Movies – 4-6 Best Chinese Movies Released in 2018 by the Film Festival Selection Advisory Team;

Ambush on All Sides – Many of the most distinctive international films are screened non-contested.

Universal Film Festival Overview – Many award-winning feature films from major international film festivals this year;

Director’s Vision – Presented by 3 Asian and 3 non-Asian heavyweight directors respectively, 6 genre films with unique appreciation value;

Filmmakers in Focus – Selecting one or two outstanding representatives from different fields of the film industry to screen their films and give interviews to the media;

Special Screenings – Films selected by the Artistic Director and Jury Chairperson related to festival guests and Lifetime Achievement Award winners;

Family Fun – will promote a new family-focused film screening unit, providing unique and original films.

Sun Li and Deng Chao romantic stills

　　　 Created by Guangguang Film Company with huge investment, Chen Jiashang continued the magical giant "Painting Wall" on the front edge of "Liaozhai", which is scheduled to be released nationwide on September 29. Coinciding with the approaching of the annual Chinese Valentine’s Day Qixi Festival, the "Painting Wall" crew specially exposed a group of on-set stills of Deng Chao and Sun Li showing their love on the scene. Deng Chao is dressed as a scholar, and Sun Li’s fairy is playful and charming, just like the legend of the cowherd and the weaver girl meeting at the bridge has become a reality.

Qixi Festival is approaching, Deng Chao Sun Li sweet set photo exposure

　　　 Deng Chao and Sun Li, who became attached to the TV series "Happiness is Like a Flower", admitted at the beginning of the year that they had registered their marriage in February last year. After her wedding in Shanghai in June, Sun Li also announced in a high-profile manner that she was pregnant, which can be described as a double happiness. The work "Painting Wall" directed by Chen Jiashang has also become the first big-screen work of the two newlyweds after their marriage. As the Chinese Valentine’s Day Qixi Festival is approaching, the newlyweds sent photos on the set of "Painting Wall" to wish their lovers a happy marriage.

　　　 In the photos released on the set of "Painting Wall," Deng Chao, dressed as a scholar, flirts with Sun Li, a fairy in a glamorous gauze dress, in a funny pose with a playful and sweet expression. According to the director Chen Jiashang, "They really like Sun Li’s room in" Painting Wall ", which is very simple and matched with antique hairstyles and clothes."

The gold stylist creates the ethereal image of "Painting Wall"

　　　 In addition to the tacit performance of Deng Chao and Sun Li, the costumes of "Painting the Wall" this time are even more exciting. The film’s styling was created by Wu Baoling, a well-known Hong Kong costume stylist – a series of classic costumes such as "The Legend of the New White Lady" and "The Ghost of the New Beautiful Girl" are all created by her. The flying figures of a large number of fairies in the "Daughter Country" in this film also make her look very ethereal. In addition to the exposed green dress, the heroine, Sun Li, also has multiple sets of fairy skirts in different shades of white and black. For Wu Baoling’s design this time, Sun Li is also full of praise: "Each color, each dress, represents a different mentality and status of the characters. Change into different colors of clothing, and you will know what the characters in this scene want to express. "

　　　 The film "Painting the Wall" also gathers Yan Ni, Zou Zhaolong, Zheng Shuang, Bao Beier, An Zhijie, Xie Nan, Liu Yan, Mo Xiaoqi and other powerful actors, and will be fully released on September 29.

Next page More wonderful pictures

"2016 China’s top 500 private enterprises released the report" shows that in 2015 Wahaha operating income 49.40 billion yuan, compared with 2014 revenue plummeted more than 20 billion yuan, causing industry attention.

Industry analysts believe that the real main reason for Wahaha’s decline in performance lies in its aging brand, lack of star products, and too single market.

Revenue plummeted by more than 20 billion yuan　

2015 revenue plummeted more than 20 billion yuan, equivalent to losing the entire nutrition fast line, Wahaha performance decline once disclosed quickly caused concern and concern in the industry. According to publicly disclosed data, 2013-2015 Wahaha revenue were 78.30 billion yuan, 72.80 billion yuan and 49.40 billion yuan, showing a downward trend year by year.

Regarding the plunge in revenue in 2015, Wahaha responded that the main reason was that the data of Hongsheng Beverage Group Co., Ltd., which was controlled by Zong Qinghou’s daughter Zong Fuli, was not consolidated. In addition, online rumors and product transformation and upgrading also had a certain impact.

The official stressed that Wahaha’s current production and sales are normal, and the company has paid 3.10 billion yuan in taxes to the state from January to July this year. "Not only does the company not have a penny of bank loans, but it also has tens of billions of yuan in deposits."

Zong Qinghou said recently that the beverage industry is facing a downward trend. Wahaha’s growth rate fell from more than 20% in previous years to 4% last year and only 2% in the first half of this year. For the reason of the decline, Zong Qinghou concluded that it was affected by malicious attacks on online rumors.

"China’s beverage industry will always be a sunrise company, and as long as it is done well, I think it will always develop healthily. Because no matter what, people always want to eat and drink."

Nutrition Express still supports Wahaha’s performance

In Wahaha’s entire product system, there is an over-reliance on individual products. According to Wahaha’s previously disclosed figures, as of the end of 2014, Wahaha had a total of more than 100 categories of milk beverages, bottled water, carbonated beverages, tea beverages, juice beverages and functional beverages. Among many products, Nutrition Express, which has a product age of nearly ten years, is still the largest single product supporting Wahaha’s performance.

According to public data, the sales of Nutrition Express in 2013 exceeded 20 billion yuan, which means that this single product alone contributed about 1/4 of Wahaha’s performance. The previous online rumors that Nutrition Express contains Botox also caused Wahaha’s performance to suffer, and the revenue loss was said to be as high as 5 billion yuan.

According to industry insiders, the sales performance of old products such as Nutrition Express, AD calcium milk, and purified water has accounted for more than half of Wahaha’s overall revenue, and the market performance of these large single products is also declining. With the rise of new beverage brands, Wahaha Nutrition Express’s market share is also gradually shrinking. In the bottled water sector, brands such as Nongfu Spring and China Resources Yibao have made competition more intense and continue to occupy Wahaha’s market share of purified water.

Food Industry Researcher, China Brand Research InstituteZhu Danpeng believes that the aging of the Wahaha brand is manifested in three aspects: first, Zong Qinghou is still addicted to the business philosophy of the late 1990s and early 2000s; second, the entire Wahaha executive team has been working hard with Zong Qinghou for many years and has been assimilated seriously. It cannot make changes in time for market changes; third, market research and development is "like a boiled frog", innovation is delayed, and the success rate of new products is getting lower and lower.

Wahaha’s self-help requires innovation

With the decline of the third- and fourth-tier markets and more intense competition, since the end of 2015, Wahaha has seen its own shortcomings and decided to make up for the shortcomings of the mainstream market in first- and second-tier cities. Subsequently, Wahaha launched some new products to meet the needs of first- and second-tier mainstream consumer groups. Wahaha launched some new beverages, such as C drive, coconut milk vegetable protein drink "Come and squeeze", blood orange juice, etc., but failed to win market recognition.

For Wahaha’s new strategy, Zhu Danpeng is not very optimistic, believing that Wahaha’s brand power and recognition in first- and second-tier cities have declined very severely. At present, Wahaha’s brand recognition and price positioning are mainly in third- and fourth-tier markets, but in the price range of more than 5 or 6 yuan, Wahaha basically has no products.

For Wahaha’s future prospects, industry analysts believe that if it fails to achieve brand rejuvenation, product innovation, and a redefinition of its marketing model, Wahaha’s performance will accelerate its decline.